This program is an invitation to refinement, sweetness and the exploration of complex polyphonic compositions of Johannes Ockeghem, Johannes Ghiselin or Jacob Obrecht and their contemporary from the “franco-flemish” movement during medieval fall.
| Jacob OBRECHT
1457/58-1505 |
Fuga queque semibrevis sex equivalet sed per dyapason
Rome – Biblioteca Casanatense |
| Jean de OCKEGHEM
c. 1410-1497 |
S’elle m’amera/Petite camusecte
Chansonnier de Dijon |
| Johannes GHISELIN,
1491-1507 |
Carmen in sol
Copenhague – Kongelige Bibliotek *** |
| VINCENET,
mort av. 1480 |
Fortune, par ta cruaulté
Chansonnier Cordiforme (c.1475) |
| Johannes TINCTORIS,
c. 1430/35-1511 |
De tous biens playne
Codex Segovia |
| Hayne Van GHIZEGHEM,
1445-1476/97 |
De tous biens plaine
Harmonices musices Odhecaton A, Venise, Ottaviano Pettruci, 1501 |
| Henricus ISAAC, 1450/55-1517 | Palle, palle
Codex Medici *** |
| Johannes GHISELIN,
1491-1507 |
La Spagna
Motetti A, Venise, Ottaviano Pettruci, 1502
*** |
| ANONYME
Johannes MARTINI (c. 1430/40-1497) |
J’ay pris amours
Chansonnier Cordiforme (c.1475), Paris – BNF, Rothschild 2973 J’ay pris amours Florence – Biblioteca Nazionale Centrale, MS Banco Rari 229 (1491-1492) |
| Jacob OBRECHT | La Tortorella
Biblioteca Nazionale Centrale, Mss. Magliabechi XIX. 164-167
*** |
| Henricus ISAAC (c. 1450/55-1517)
JOSQUIN DES PREZ (c. 1450/55-1521) ANONYME |
Adiu mes amors
Hans Kotter Tabulaturbuch, Bâle – Öffentliche Bibliotek der Universität, F.IX.22 Adieu mes amours Harmonices musices Odhecaton A (Venise, Ottaviano Pettruci, 1501)
Adieu mes amours Manuscrit de Bayeux (xve s.), Paris – BNF, fr. 9346 |